Novel 293: Hesba Stretton, The Doctor’s Dilemma (1872)

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A virtuous young lady flees from her persecutors in London to a fisherman’s cottage on the island of Sark.

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Hesba Stretton (1832-1911), née Sarah Smith, wrote over sixty works of fiction, most of them children’s books which, despite their evangelical purpose, were immensely popular: Jessica’s First Prayer (1866) sold well over a million copies.  Her odd pen-name was made up of the first initials of her own and her four siblings’ names, and the name of a Shropshire village.

“The best novel of the week. . . .  In descriptive writing the authoress must be given a high place, and there is a good deal of life in the story.” Athenaeum, February 15, 1873

“A fascinating story, which scarcely flags in interest from the first page to the last”; it is “not a great book” but “we are ready to confess that since the publication of ‘Jane Eyre,’ we can hardly remember a novel which has excited in us a more continuously absorbing interest.” British Quarterly Review, April 1873

“This is a tale of unusual merit and interest. . . .  Everything about The Doctor’s Dilemma is worthy of praise.  The tone of feeling is sound and wholesome, the story interesting, and the characters drawn with much force and distinctness.” Spectator, July 5, 1873

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v.1 https://access.bl.uk/item/viewer/ark:/81055/vdc_00000003FD20#?c=0&m=0&s=0&cv=0&xywh=-619%2C-126%2C2693%2C2502
v.2 https://access.bl.uk/item/viewer/ark:/81055/vdc_00000003FD26#?c=0&m=0&s=0&cv=4&xywh=-1%2C-203%2C2598%2C2413
v.3 https://access.bl.uk/item/viewer/ark:/81055/vdc_00000003FD2C#?c=0&m=0&s=0&cv=4&xywh=0%2C-192%2C2526%2C2347

NB: The British Library’s website remains unavailable, affecting the links above and many others on this site. Someday, we hope, it will return. Meanwhile: a one-volume American edition is available here:

https://archive.org/details/doctorsdilemma01stre/

Novel 292: Leonora Blanche Lang, Dissolving Views (1884)

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A cultivated and ambitious young lady seeks her place in the world.

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Leonora Blanche Lang, née Alleyne (1851-1933) wrote only this one novel; however, she was largely responsible for the series of twelve collections of fairy tales (the Blue Fairy Book and its variously-colored successors) edited by her husband and fellow novelist, Andrew Lang. This novel, like the fairy book translations, displays her quiet wit and polished style.

“The only draw back to its universal circulation that we can perceive is that” it lacks the pleasure “which seems to consist in seeing how people in fiction live in a manner which is neither the reader’s manner nor that of any human beings who ever breathed the vital air. If this latter delight does chiefly move any man or woman, let him or her by no means read Mrs. Lang. Neither let him read her if he wants bad taste or bad manners or bad French . . . or bad morals. Neither let him read her if he cannot see a joke, for here be many jokes; neither if he wants passions ‘grand, epic, homicidal,’ for here, though the feeling shown is quite natural and human, it is by no means always or often in altitudes. This is, we admit, warning off a very considerable clientele, and it is possible that Mrs. Lang may be the reverse of grateful to us. But ruat cælum. We have not in the least exaggerated the pleasure and pastime which the book is pretty certain to give to people of good breeding, reasonably wide interests, good taste, and a slight inclination to the humorous view of life. It is a pity, perhaps, that some of the things here are not enshrined in a more durable setting; for the book is deliberately, and almost provokingly, ephemeral in design. But this design is so closely connected with what is best in it, with its pleasant fashion of daffing the world aside and bidding it pass, that it is almost illogical to grumble. In fact, a very determined moralist with a sense of humour (supposing there to be such a person) might detect a moral in the slightness with which the book is put together. Into these regions, however, it is not necessary to enter; and all that is necessary is once more to express thanks to Mrs. Lang for this agreeable entertainment, in which she has chosen to make the figures come like shadows and so depart. There is something remarkably lifelike in your shadow; and, save in quite exceptional circumstances, he is one of the most agreeable of companions.” Saturday Review, June 14, 1884

“The plot may be regarded as disappointing by some readers; but, whatever the story loses in that respect, it more than makes up for by caustic cleverness in writing. We get a series of pictures rather than a consecutive narrative.  Its real interest lies in the writer’s charming style and power of saying good things. . . . In fact, these Dissolving Views are very vivid and very entertaining while they last.” Academy, June 21, 1884

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v.1 https://access.bl.uk/item/viewer/ark:/81055/vdc_00000004C806#?c=0&m=0&s=0&cv=6&xywh=-1%2C-112%2C2486%2C2154

v.2 https://access.bl.uk/item/viewer/ark:/81055/vdc_00000004C80C#?c=0&m=0&s=0&cv=8&xywh=-1%2C-101%2C2476%2C2146

At present, the British Library’s website has been, oh so sadly, taken offline because of a ransomware attack, rendering a great many links on this website temporarily useless. Until it returns, one may download the American reprint here:

https://archive.org/details/dissolvingviews01langgoog

Novel 291: Menella Bute Smedley, Linnet’s Trial (1864)

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A newly married woman goes to live with her army officer husband’s straight-laced family.

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Menella Bute Smedley (1820-1877), cousin of Frank Smedley (see Novel 048), wrote eight novels between 1849 and 1868; this one features sharply delineated characters in a quiet domestic scene.

“There is no doubt that ‘Linnet’s Trial’ will find many admirers; it is a well-sustained story, and the characters are elaborated with a firm hand, and evidences of a perception at once keen and clear. . . . The volumes are beautifully printed on delicate cream-tinted paper.” Art Journal, April 1864

“A pretty, well-written story. . . . The conversations are lively and clever, and the incidents sufficiently interesting.” Athenaeum, June 18, 1864

“A very interesting story.  The discrimination of character is really remarkable, and quite without visible effort. . . . It may be recommended for the youngest of young ladies.” Spectator, September 3, 1864

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https://books.google.com/books?id=wwUCAAAAQAAJ&newbks=1&newbks_redir=0&dq=linnet's%20trial&pg=PP19#v=onepage&q&f=false

Novel 290: Henry Milton, Lady Cecilia Farrencourt (1845)

George Frederick Watts, Miss Mary Kirkpatrick Brunton

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A retired merchant, wanting an aristocratic wife and a seat in parliament, tries advertising for both in the newspapers.

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Here is the second novel by Henry Milton, Anthony Trollope’s uncle (for the first see Novel 031).  I have now recommended at least one novel for each of the 64 years of Victoria’s reign.

It “bears about as much resemblance to life as the broadest farce; but when the improbability is got over, the farce is ludicrous enough.  The writing is vigorous and straightforward.” Spectator, January 18, 1845

“The principal characters are cleverly drawn, and the natural course of their progress in life is dramatic, though simple and unforced into striking situations.  The course runs easy; the descriptions of men, manners, and things, are the result of sensible observation; and the interest of the whole tale leads the reader on to the end with sufficient effect. . . .  Some of the humorous scenes are ludicrous enough, but rather overdone.” Literary Gazette, January 25, 1845

“The story is skilfully developed, . . . the characters are in general well and cleverly individualised.  There are several passages in the work that cannot fail to leave on the reader a strong sense of narrative power in the author.” New Monthly Magazine, February, 1845

“Bating an evil propensity to exaggerate, Lady Cecilia Farrencourt is excellently written; and in spite of it, we must not scruple to confess that the book has not a little amused us.  The heroine  . . . is cleverly drawn; there is a lively, spirited, easy tone in the writing; a great deal of good sense and good-nature; a nice perception of the ludicrous; and perhaps some excuse for even the broadest passages of caricature, in a prevailing abundance of animal spirits.” Examiner, February 8, 1845

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v.2 https://books.google.com/books?id=wNITAQAAMAAJ&newbks=1&newbks_redir=0&dq=lady%20Cecilia%20milton%20vol.%202&pg=PP7#v=onepage&q=lady%20Cecilia%20milton%20vol.%202&f=false

v.3 https://books.google.com/books?id=htITAQAAMAAJ&newbks=1&newbks_redir=0&dq=lady%20cecilia%20milton&pg=PP7#v=onepage&q&f=false

Novel 288: Anonymous, Married Women (1855)

James Jacques Joseph Tissot, Quarreling

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A virtuous young lady’s cousin breaks their engagement to marry an adventuress.

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This is the second of this anonymous author’s novels (the first, Broomhill, had appeared three years earlier).  Despite some period clichés (e.g., the ideal clergyman who, after final exhortations to his family, expires with a heaven-witnessing smile), it represents some delightfully bad marriages.

“With greater powers of writing and more knowledge of life than usually belongs to the circulating library novel, Married Women is essentially of that class. . . .  The scenes, though not wanting in power or spirit, possess that faded air which characterizes general imitation.  But there is the main thing in a novel—a well-varied story, told with sufficient rapidity, relieved by secondary fortunes without complex involution, and if not reminding one of the actual yet rarely outraging probability.  It is a book for the reader rather than the critic; though better adapted to the main end of writing, that of pleasing the class of readers for whom it is designed, than some fictions of a more vaulting ambition.” Spectator, March 10 1855

“We have read this novel ourselves with much pleasure, and we have no doubt that many others will do the same.  If rigidly criticized, the story will be found straggling:—it concerns too many people, who are all independent of each other, and do not work together to produce unity of result.  But, notwithstanding this, the book is extremely interesting, and, what is more, the tendency is healthy and unexceptionable.  The characters are well and firmly drawn. . . .  Some of the scenes evince quiet power and force of delineation, without ambitious straining after effect.” Athenaeum, March 17, 1855

A contrasting view:

“Milk-and-water triviality. . . .  We suppose there is still a public for novels like this among the clients of circulating libraries in provincial towns; and, after all, an interest in such feeble creations is better than blank ennui or indulgence in acrid gossip.” Westminster Review, July 1855

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https://solo.bodleian.ox.ac.uk/permalink/44OXF_INST/35n82s/alma990146724840107026
(Right-click (or control-click, if you have a Mac) on the “view digitized copy” links to download the novel’s three volumes in pdf form)

Novel 287: Charlotte Dunning Wood, Upon a Cast (1885)

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A virtuous young lady moves into a Hudson River town after years in Germany.

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Charlotte Dunning Wood, born in 1858 or 1859 in Poughkeepsie, New York, wrote two novels and various stories before marrying Edward Linn Morse (the youngest son of Samuel F.B. Morse, inventor of the code that bears his name) in 1888.  She died in 1898.

“For an entertaining summer story, Upon a Cast, by Charlotte Dunning, may be recommended.  The name is meaningless, but the story is effectively told.  Society life in a fashionable town on the Hudson . . . , the embarrassment of one fair maid with two unfortunate lovers . . . form the subject matter of the book, which is agreeably free from dark and treasonable shadows.  Miss Dunning deserves special praise for the ease and naturalness of her narrative.” Jewish Messenger, July 3, 1885

“A very bright American story. . . .  The characters . . . are described with a trenchant and familiar pen.  The characters are well drawn and though the incidents are ordinary ones, they are handled with skill.  It is a very pleasant and entertaining book.” Texas Siftings, July 11, 1885

“Bright and brisk; its story is sufficient, to say the least; its people are pleasant, well bred, well educated, clever; and its dialogue, which is abundant, is admirable and to the point.” Saturday Review, April 17, 1886

A (somewhat) contrasting view:

“An unusually bright and pretty story, without being remarkable for either power or originality.” Portland Daily Press, July 8, 1885

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https://archive.org/details/uponcast00wood

Novel 286: Margaret Paul, Gentle and Simple (1878)

Henry Yeend King, At the Farm Gate

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A virtuous young lady, neglected by her uncle, is taken up by an aristocratic cousin and a farmer grandfather.

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For Paul, see Novels 025, 136, 198, and 251.

“A good story, and of a kind that demands a hearty welcome. . . .  It is admirably written, in a style that combines ease and carefulness, and it is as refined and elevated as it is clever.” Spectator, April 13, 1878

“There is much skill in Mrs. Paul’s method of bringing together the different threads of her narrative and keeping her reader’s attention upon a plot which has enough and not too much ramification, while it contains no incident which does not bear upon the progress of the story.” Examiner, May 18, 1878

“This cannot be called a powerful novel, but it is a good one:  thoughtful, well-written, and marked by a reticence, here and there, which speaks volumes for the culture and fine feeling of the author.” Contemporary Review, September, 1878

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v.1 https://access.bl.uk/item/viewer/ark:/81055/vdc_000000036480#?c=0&m=0&s=0&cv=0&xywh=-1030%2C-115%2C3397%2C2297

v.2 https://access.bl.uk/item/viewer/ark:/81055/vdc_000000059DF6#?c=0&m=0&s=0&cv=0&xywh=-1029%2C-115%2C3389%2C2292

Novel 285: Margaret Hunt, The Leaden Casket (1880)

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A virtuous young lady loves a landscape painter, her childhood playmate.

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For Hunt, see Novel 039; above is a painting by her husband, who was, like the novel’s hero, a landscape painter.

It combines “shrewd observation with an excellent style of simple English.” Athenaeum, December 18, 1880

“In these days of the multiplication of words and darkening of knowledge, the reviewer is generally thankful and grateful for signs of excellence in any one branch of novel-writing—for a well-conceived plot, for clever condensations, for life-like characters. What must be his feelings, therefore, towards a writer who excels in a high degree in each of these branches, and gives us a book containing characters which become as real to us as Mr. Elton and Mr. Collins have done, and fragments of conversation and description which will for ever be interwoven with the subjects of which they treat.” Academy, January 8, 1881

A contrasting view:

“The reviewer . . . has found the ‘Casket’ so unusually leaden he can do little more than raise the lid and clap it to again.” New York Times, March 13, 1881

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v.1 https://archive.org/details/leadencasketnove01hunt

v.2 https://archive.org/details/leadencasketnove02hunt

v.3 https://archive.org/details/leadencasketnove03hunt

Novel 284: C.H.D. Stocker, Between the Acts (1884)

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An artist’s wife and eleven children try to make ends meet in a country cottage.

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I can discover nothing about C.H.D. Stocker; this is her only novel (I choose a feminine pronoun only because the protagonist is a woman).  And that is a pity, for her witty, incisive style and scenes of comic household disorder are just brilliant.

“Miss Stocker’s novel is very good indeed.” The plot is “by no means original. . . .  But the really good work which makes itself conspicuous and delightful throughout Miss Stocker’s three volumes is the lifelike portraiture. . . .  English children of the ‘happy family’ order have rarely been drawn with more geniality and truth.” Athenaeum, December 6, 1884

“A capital piece of work. . . There are some happy descriptions both of the country and of London . . . and Miss Stocker’s style is spontaneous and unusually correct. . . .  On the whole . . . Miss Stocker has used an old situation . . . with effect.” Academy, December 13, 1884

“This novel, utterly without pretension, and belonging for the most part to the domestic order of fiction, is bright and amusing . . . , really pleasant reading.” Morning Post, December 28, 1884

Stocker “can imagine striking situations and use them with a certain dexterity.  But, above all, he has a very genuine sense of humour.” Saturday Review, February 7, 1885

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v.1 https://archive.org/details/betweenactsnovel01stoc

v.2 https://archive.org/details/betweenactsnovel02stoc

v.3 https://archive.org/details/betweenactsnovel03stoc

Novel 282: E.S. Maine, Scarscliff Rocks (1875)

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A woman flees empty social triumphs to live in an isolated town with her clergyman father and there meets a mysterious man.

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For E.S. Maine, see Novel 141

“Scarscliff Rocks is a story of considerable merit. . . .  The most salient merit of the book is in the carefully studied contrast of the two chief female characters, which are both well conceived and elaborated. . . . The plot . . . has been skilfully handled, and not overwrought, as it might readily have been.” Academy, June 26, 1875

“It has the old air of story-telling about it, and not that of ‘studies’ of this, that, and the other. . .  The author has successfully depicted commonplace characters without making them bores.” Spectator, August 21, 1875

A contrasting view:

“What all such tales as ‘Scarscliff Rocks’ want, and there are generally at least a dozen of them every quarter, is dramatic power.  We have sensational instead of dramatic scenes.  The characters are generally fairly drawn, but are often dull when they are not sensational.” Westminster Review, October, 1875

Download this week’s novel:

https://solo.bodleian.ox.ac.uk/permalink/f/89vilt/oxfaleph014280404 (Right-click (or control-click, if you have a Mac) on the “view digitized copy” links to download the novel’s three volumes in pdf form)

Novel 281: F. Anstey, Vice Versâ (1882)

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A staid middle-aged merchant is made by a magic stone to exchange bodies with his schoolboy son.

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F. Anstey, born Thomas Anstey Guthrie (1856-1934), wrote regularly for the humor magazine Punch, and twenty works of fiction, most based, like this one, on fanciful comic premises.

“A perfectly sober and serious book, in the reading of which a sober man may laugh without shame from beginning to end.” Saturday Review, July 15, 1882

“It is a long time since we have read anything more truly humorous.” Spectator, August 26, 1882

“A capital bit of sustained humor.” New York Times, October 29, 1882

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https://archive.org/details/viceversaorlesso00anst

Novel 280: Mary Elizabeth Braddon, To the Bitter End (1872)

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A rising barrister, on a country vacation, falls in love with a farmer’s daughter.

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For Braddon, see Novels 004, 061, 115, 170, 222, and 223.

“It is carefully written, and even rewritten, and yet is full of all the old rough vigour and dash, the keen sense of the many pleasures and enjoyments of life, the love of green fields and blue skies, and pleasant gardens, and the quick impatience of all that is hollow and conventional.” Athenaeum, September 21, 1872

“Its plot, not ill-conceived, is well worked out, and told with appropriate humour and appropriate pathos.  Several of the characters are clearly defined, and . . . there is originality and fresh vigour in its presentment.” Examiner, October 12, 1872

A contrasting view:

Braddon’s “admirers will probably run through the work with a certain vacant satisfaction, while ever and anon, like dim reminiscences of a previous stage of existence, will dawn on their misty consciousness a vague idea that they have seen all this before.” Manchester Guardian, September 25, 1872

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https://solo.bodleian.ox.ac.uk/permalink/f/89vilt/oxfaleph014626003 (Right-click (or control-click, if you have a Mac) on the “view digitized copy” links to download the novel’s three volumes in pdf form)

Novel 279: Lucy B. Walford, The One Good Guest (1892)

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A young sister and brother encounter social difficulties on their country estate.

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Here is yet another novel by Walford, for whom see Novels 018, 066, 121, 174, and 227.

“The tale is told with the spirit that always characterizes Mrs. Walford’s stories.” Critic, July 16, 1892

“A thoroughly interesting story, a trifle sensational, well written, full of life and movement.” Independent, September 8, 1892

A contrasting opinion:

It “is not markedly original, amusing, or attractive to our thinking.  The young folks and their doings do not greatly interest one, though there is some freshness about them, and, in their fashion, they are natural and human enough. . . .   The story is slight, the treatment slighter, but it will pass.” Athenaeum, September 24, 1892

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https://archive.org/details/onegoodguest00walfgoog

Novel 278: Mrs. Alexander, A Choice of Evils (1894)

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A poor gentlewoman makes what seems a perfect marriage with a local squire.

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Here is another fine novel by Mrs Alexander, for whom see Novels 001, 063, 113, 168, and 221.

“Mrs. Alexander . . . draws the portrait of a woman with a fine if not sympathetic nature, and her graphic pen sketches with clever ease the varied characters that surround her central figure.” Morning Post, October 30, 1894

“Mrs. Alexander is a story-teller who thoroughly enjoys her work. . . .  She evidently believes in the vitality of her stories, has her people clearly before her eyes, and does her work in so unflagging a manner that the reader perforce resigns himself into her hand, takes a hearty interest in her performance, and has a good time of it. . . .  ‘A Choice of Evils’ is an entertaining book, because of its clever telling, and the people in it behave naturally, and grapple with the remarkable facts of their lives in a sensible manner.” Standard, November 28, 1894

A contrasting view:

“In spite of the ability of the book, we do not feel attracted by it.” Spectator, October 27, 1894

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v.1 https://archive.org/details/choiceofevilsnov01alex/

v.2 https://archive.org/details/choiceofevilsnov02alex/

v.3 https://archive.org/details/choiceofevilsnov03alex/

Novel 277: Coulson Kernahan, Scoundrels & Co. (1899)

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A writer accidentally joins a group of professional terrorists and frustrates their plots.

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John Coulson Kernahan (1858-1943), a journalist and critic as well as a novelist, wrote a dozen or so works of fiction; this one is notable for its rapid succession of thrilling incidents and its witty style.

“A most ingeniously imagined series of adventures.” Bookman, August, 1901

“Mr. Kernahan’s detective stories are rather different from anyone else’s.  This sort of literature usually attracts either by being very horrible or by being very ingenious—or by both.  Mr. Kernahan is not quite either; he seldom tries to be blood-curdling, and then generally fails; while both his characters and his incidents are too frankly impossible to earn him a reputation for ingenuity.  What, then, is the secret of his success?  It appears to lie in his briskness and geniality, in the attitude of tolerant alacrity with which he is always ready to oblige . . . his readers.” Manchester Guardian, March 27, 1901

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https://archive.org/details/scoundrelsco00chicgoog

Novel 276: Clementina Black, Orlando (1880)

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A good man loves a good woman betrothed to a bad man.

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Clementina Black (1853-1923), whose sister was the translator Constance Garnett, was a feminist and labor activist as well as the author of a dozen or so works of fiction.

“There is a pathetic charm in Miss Black’s stories which must compel the sympathy of her readers”; this is “distinctly a clever, wholesome, and affecting romance.” Athenaeum, January 17, 1880

“We can . . . speak well of Orlando, and, but for certain longueurs in it, we could speak very well. . . .  There is some freshness about most of the characters. . . .  The book is rather one of those which one reads with a pleasant and equable feeling of satisfaction than one of those which deserve the terms ‘enthralling,’ ‘entrancing,’ ‘engrossing,’ or any other of the usual laudatory participles.  But of its kind it is very far from unsuccessful.” Academy, January 24, 1880

“Miss Black has woven an interesting and touching story out of simple and natural materials.” Saturday Review, April 10, 1880

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v.1 https://archive.org/details/orlando01blac

v.2 https://archive.org/details/orlando02blac

v.3 https://archive.org/details/orlando03blac

Novel 275: Oswald John Frederick Crawfurd, The World We Live In (1884)

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After five years in Baluchistan, a man returns to Scotland to pursue the woman he loves, now widowed.

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Oswald John Frederick Crawfurd (1834-1909), aside from writing some ten novels, was British consul at Oporto from 1866-1890.

“A very good story, told with skill, taste, and what in music is called brio. . . . The talk is excellent, various, natural . . . ; characteristic, so that we know the talkers, and make mental portraits of them.” Spectator, July 5, 1884

“A capital novel.  It is lively and sparkling throughout, and one can only regret that it is so short.” Athenaeum, July 5, 1884

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Novel 274: Thomas Bailey Aldrich, The Stillwater Tragedy (1880)

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In a New England town plagued by labor troubles, a detective searches for a murderer.

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Thomas Bailey Aldrich (1836-1907), editor of the Atlantic Monthly from 1881-1890, published a dozen or so works of fiction, in addition to much poetry and criticism.  The Stillwater Tragedy features a murder mystery and a labor strike.

“The faithful potrayal of life in a manufacturing village; the distinct and vivid etchings of character; the graceful turns of fancy and humor; the simple and wholesome love affair; the naturalness, purity, and equipoise with which the story is told, all mark it as one of the best of Aldrich’s prose performances.” Louisville Courier-Journal, September 3, 1880

“The book is something much better than a novel of the familiar detective class. . . .  the plot is not used as a mere framework on which to display the delicately drawn pictures by which Mr. Aldrich has long been known and admired; the incidents of the story are used not only to illustrate but to develop the characters of the chief personages. . . .  The book has a symmetry of form and an evenness of texture which show the hand of the true artist.” New York Tribune, September 12, 1880

A contrasting view:

“It is all very clever, astonishingly clever.  But it is a kind of cold, cynical brilliancy which in a short story may be very entertaining, but which in a novel soon palls upon one’s taste.” Scribner’s, November 1880

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v.1 https://archive.org/details/stillwatertraged01aldriala

v.2 https://archive.org/details/stillwatertraged02aldriala

Novel 273: Peter Hay Hunter and Walter Whyte, My Ducats and My Daughter (1884)

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The poor nephew of a Scottish industrialist pursues a career in journalism.

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I can discover nothing about Walter Whyte. Peter Hay Hunter (1854-1909), a minister in the church of Scotland, wrote some seven novels. This one is particularly interesting for its carefully realized setting, a badly polluted Scottish industrial town.

It is “both in point of conception and execution . . . above the average of the ordinary novel”; “the style is vigorous and unaffected” and the author “possesses a considerable fund of shrewd humour.” Athenaeum, May 17, 1884

“It is written in clear, flowing, idiomatic English; the plot, without being trite and commonplace, is consistent and probable; there are three or four very well drawn characters in it.” Academy, May 24, 1884

“It is evidently written by a man who knows the world. . . .  The style is sufficiently lively to keep the reader wide awake. . .   The more finished characters are carefully and consistently drawn.” Saturday Review, July 12, 1884

A contrasting view:

“While the book is amusing, the story is ill-constructed, and its materials of almost venerable antiquity.” Spectator, July 12, 1884

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v.1 https://archive.org/details/myducatsmydaught01hunt

v.2 https://archive.org/details/myducatsmydaught02hunt

v.3 https://archive.org/details/myducatsmydaught03hunt

Novel 272: Catherine Crowe, The Adventures of a Beauty (1852)

John Everett Millais, The Farmer's Daughter

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A farmer’s daughter secretly marries a baronet’s heir.

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For Crowe, see Novel 023.

“There are few writers who possess an equal ability with Mrs. Crowe, of throwing her characters into complications, and dextrously disentangling them.” Bentley’s Miscellany, January, 1852

It may be “enjoyed as one enjoys the feats of a conjuror who can make a card fly out of the pack into a gentleman’s pocket or a lady’s reticule, and restore it to its proper place.” Westminster Review, April, 1852

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https://archive.org/details/10892458.1980.emory.edu