Novel 064: Anna Harriet Drury, Friends and Fortune (1849)

 
George Frederic Watts, Miss May Prinsep

George Frederic Watts, Miss May Prinsep

 

To test her relatives, an heiress switches identities with her companion.

Anna Harriet Drury (1824-1912) wrote some 16 novels between 1849 and 1891.  This one, despite intermittent downpours of religiosity, provides some excellent social comedy.

“It is at once amusing and instructive, genial and healthful. . . . Miss Drury’s style is peculiarly correct and elegant.  She writes, indeed, simple, honest, unaffected English, quite refreshing after the artificial semi-barbarous Teutonic gibberish of the day. . . .  Miss Drury . . . has a natural dramatic faculty—the power of entering into the feelings of others, and speaking in their persons.” English Review, March 1849

“Her perceptions are lively and keen, and her powers of delineating manners and character might well be compared with those of authors ‘of mark and likelihood.’  Her style is racy, animated, and easy, often pointed and epigrammatic. . . . The story is told in a pleasant and genial spirit; and although pervaded . . . by an earnest religious tone, it is so far from being bilious or melancholic that many a hearty laugh is to be enjoyed at the strokes of humour scattered through its lively pages.  If Miss Drury is a serious thinker, . . . she has also a relish for a joke, and a keen perception of the ludicrous.” Morning Chronicle, April 14, 1849

Download this week’s novel:

https://archive.org/details/friendsandfortu00drurgoog

Crossword 063: Groundhog Wild

 
Atkinson Grimshaw, Tree Shadows on the Park Wall, Roundhay Park, Leeds

Atkinson Grimshaw, Tree Shadows on the Park Wall, Roundhay Park, Leeds

 

Today, in Connecticut, will be held the Westport Library Crossword Tournament— where, frightened of my shadow, I will not appear.  But, through the kind offices of “Bob Kerfuffle” (who also thought up its title) the attached puzzle will appear there, in paper form, and I welcome anyone led here by that means.   I couldn’t find any paintings of groundhogs, but I’ve posted a nice one of some shadows.  Imagine yourself as seeing them from a groundhog’s point of view.

Download this week’s crossword:

063-Groundhog-Wild.puz

063-Groundhog-Wild.pdf

Solve this week’s crossword online:

063 Groundhog Wild

Pointing Hand in Reverse.png

A puzzle of mine appeared yesterday in The Los Angeles Times (and The Chicago Tribune, The Houston Chronicle, The San Francisco Chronicle, etc.)

Pointing Hand.png


A puzzle of mine will appear next Thursday, February 7, in the Wall Street Journal.

Novel 061: M.E. Braddon, Lost for Love (1874)

 
William Powell Frith - The Artist’s Model

William Powell Frith - The Artist’s Model

 

A rising doctor, a beautiful heiress, an impulsive young painter, and a poor city girl are entangled by love and betrayal. 

The great M.E. Braddon (see Novel 004) was among the most often and unjustly maligned of Victorian novelists.  Contemporary critics never tired of blaming her for Lady Audley’s Secret (1862), as the worst consequence of an unhealthy vogue for “sensation novels.”  And her improbable plots are easy to mock.  At the same time, they are consistently engrossing; while her characters are vivid and often surprisingly complex, her settings evocative, and her style subtle, witty, and exact.

“When our fault-finding is done with we thank Miss Braddon for a treat.  Her novels are always agreeable reading and have as much genuine merit as would set up a dozen of her rivals.  Her descriptions of Voysey Street and other districts are delightful.” Sunday Times, September 27, 1874

“The real secret of her success is that her people are exactly the same kind of commonplace, everyday folk as we are ourselves, and as our friends are.” Observer, September 27, 1874

Download this week’s novel:

v.1 (Tauchnitz ed.) https://archive.org/details/bub_gb_5HAdetMocuQC/page/n5

v.2 (Tauchnitz ed.) https://archive.org/details/bub_gb_lNzrF7wZ5JsC/page/n7

Novel 059: Justin McCarthy, Linley Rochford (1874)

 
George Elgar Hicks, A Gypsy Girl

George Elgar Hicks, A Gypsy Girl

 

A marriage goes wrong.

Justin McCarthy (1830-1912), an important Irish politician as well as a journalist and novelist, published some 25 works of fiction between 1866 and 1901.  The contrast here between the attitudes of the husband and wife towards life and each other is particularly well delineated.

“Mr. McCarthy’s language is correct and well chosen: the events of his story bear each its due and proportionate share in working it out; his scene is not over-crowded with characters, and those whom he introduces are reasonable, probable, and consistent with themselves.” Athenaeum, October 10, 1874

“Besides their general truthfulness to nature, there is mostly to be discovered playing round the several characters that lambent flame of humour which is serviceable in lighting up particular traits and idiosyncracies, and setting them clearly in the reader’s eye.” Examiner, October 17, 1874

“A close observer and excellent delineator of character, Mr. McCarthy contrives to combine in his portraits reality and originality, and while he does not disdain to mention trifling incidents and minute but distinctive traits, he never wearies by prolixity.” Morning Post, October 22, 1874

Download this week’s novel:

v.1: http://access.bl.uk/item/viewer/ark:/81055/vdc_000000048C36#?c=0&m=0&s=0&cv=0&xywh=-1144%2C-246%2C3754%2C2524

v.2: http://access.bl.uk/item/viewer/ark:/81055/vdc_000000048C72#?c=0&m=0&s=0&cv=6&xywh=-246%2C0%2C2958%2C1988

v.3: http://access.bl.uk/item/viewer/ark:/81055/vdc_000000048C8A#?c=0&m=0&s=0&cv=6&xywh=-217%2C0%2C2994%2C2012

Crossword 058: Accentuate the Positive

 
Edward Frederick Brewtnall, The Princess and the Frog Prince

Edward Frederick Brewtnall,
The Princess and the Frog Prince

 

“Oh goodness infinite, goodness immense!,/That all this good of evil shall produce,/And evil turn to good!” you will exclaim, “replete with joy and wonder,” after you finish this puzzle.  (See John Milton, Paradise Lost, XII.468-71)

We owe 32 Across to my test-solver, proofreader, and sometime editor “Bob Kerfuffle,” who has also spared me the embarrassment and you the annoyance of many errors of all kinds.  He will not permit me to use his real name, preferring to “do good by stealth.” (See Alexander Pope, Epilogue to the Satires of Horace, Dialogue I, l.136)

Download this week’s crossword:

058-Accentuate-the-Positive.puz

058-Accentuate-the-Positive.pdf

Solve this week's crossword online:

058 Accentuate the Positive

Crossword 056: Di-Graphic Language

 
William-Adolphe Bouguereau, Une Vocation

William-Adolphe Bouguereau, Une Vocation

 

That’s this week’s crossword she’s got there.  Judging from the position of her pen and the expression on her face, she’s at 52 Across, and trying desperately to remember what exactly a “ratite” is.  She’s seen the word before, maybe in another crossword—but what does it mean?  It’s nothing to do with rodents, or rodent-followers, but it is some kind of animal, isn’t it?  A “gnu” maybe?  

If you attended last August’s Lollapuzzoola tournament, you may have picked up a promotional copy of this very puzzle, which was distributed there on my behalf by my test-solver, editor, and promoter, the inexplicably generous “Bob Kerfuffle.” I was not myself in attendance, as I prefer to cultivate an air of reclusive genius—in the hope of being revered as the J.D. Salinger, the Emily Dickinson of crosswords. Do please try to play along with me in this.

Download this week’s crossword:

056-Di-Graphic-Language.puz

056-Di-Graphic-Language.pdf

Solve this week’s crossword online:

056 Di-Graphic Language

 

Novel 056: Margaret Oliphant, The Unjust Steward (1896)

 
Sir David Wilkie, A Bookcase

Sir David Wilkie, A Bookcase

 

A poor clergyman places himself in a moral quandary.

This is one of the last of Oliphant’s hundred-some novels (for others see Novels 007 & 008).  She had been publishing for almost half a century and had come to seem old-fashioned.  The Academy’s critic, for example, after confessing a “sneaking fondness” for Oliphant, points out that she “began to write before the days when fiction became an art, and no doubt her conceptions of the possibilities and obligations of her calling are, in comparison with modern lights, limited.” This false perception of the culture of 1849 says a lot about that of 1896.  Anyway, old or not, Oliphant provides here a searching analysis of a complex, ambivalent, self-deceived character’s struggles to reconcile the moral with the expedient.

We are “transported by the writer’s easy art into an old-world atmosphere, redolent of the true flavour of a social humour not quite forgotten, but sufficiently removed from the commonplace banalities, the sexual problems, and the topical ingenuities of the day.”  Athenaeum, December 19, 1896

Oliphant’s “stories are always characterised by an old-world courtliness and a wonderful sympathy with the thoughts and feelings of old and young alike.  Everything she puts her pen to is thoroughly entertaining.”  Liverpool Mercury, December 23, 1896

Download this week’s novel:

http://access.bl.uk/item/viewer/ark:/81055/vdc_00000004248C#?c=0&m=0&s=0&cv=0&xywh=-722%2C-129%2C2990%2C2565